David Drake

David Drake served as an enlisted interrogator in Vietnam and Cambodia in 1970. The Army took him from Duke Law School and sent him on a motorized tour of both countries with the 11th Cav, the Blackhorse. He learned new skills, saw interesting sights, and met exotic people who hadn’t run fast enough to get away. Dave returned to become Chapel Hill’s Assistant Town Attorney and to try to put his life back together through fiction making sense of his Army experiences. Dave describes war from where he saw it: the loader’s hatch of a tank in Cambodia. His military experience, combined with his formal education in history and Latin, has made him one of the foremost writers of realistic action SF and fantasy. His bestselling Hammer’s Slammers series is credited with creating the genre of modern Military SF. He often wishes he had a less interesting background. He lives with his family in rural North Carolina.

His story, “The Price”, appears in the Weird World War III anthology.


Tell me about yourself. Where are you from? What’s your background?


I was born in 1945 and raised in Eastern Iowa along the Mississippi. I was attending Duke Law School when I was drafted. The army sent me to Vietnamese language school and then to interrogation school, then shipped me to Nam where I was  assigned to the 11th Armored Cavalry Regiment, the Blackhorse.

I came back to the World, and finished law school. For 8 years I was assistant town attorney for Chapel Hill, NC. In 1980 I stopped lawyering and spent a year driving  a city bus.


What kinds of stories do you write? Why?


I’m best known for my military SF. I write whatever I feel like, though.


Which of your short stories is your favorite? Why?


My favorite story is probably Airborne All the Way. Writing it broke me out of a bad place I was in after a long-time friend finished drinking himself to death.


What’s the craziest thing that’s ever happened to you?


The craziest thing? I suppose agreeing to be rewrite man on Newt Gingrich’s first  book, Window of Opportunity. I’ve never been interested in politics, but I decided I couldn’t turn down the challenge.


Tell me about a time you almost died.


We’d gone on a madcap just on the Viet Nam side of the border. I was riding the flame track, a Zippo: 200 gallons of napalm in an aluminum box with a whip antenna 15 feet in the air. We were on the dike between rice paddies when  monsoon storm hit us coming from the left side. Lightning hit a 10-foot tree on the dike to my left. Then lightning hit a tree to my right and the storm was over us. All that happened to me was that the book in my pocket got soaked.


Tell us something about you that very few people know.


On that same madcap the village chief came over and offered me and the other interrogator little paper bags of peanuts. I thanked him and asked how long they’d raised peanut, which I didn’t think of in connection with Vietnam.

“Three years,” he said. They’d had a rubber plantation. Then the planes came over and all the trees died. They replanted peanuts because rubber takes too long to grow.


What was your favorite subject in school? Why?


Favorite subject through high school would be History.


What’s your favorite book? Why?


Favorite book–The Glass Key by Dashiell Hammett. The viewpoint character is coldly ruthless with no bluster.


If you could live anywhere in the world, where would it be?


I live in central NC. The climate is temperate and well watered. El Paso (language school) was too dry and no trees; Iowa got very cold in the winter.


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


Order Weird World War III Now


2020-10-06T00:00:00

  days

  hours  minutes  seconds

until

Weird World War III Release Date

T. C. McCarthy

T. C. McCarthy is an award-winning and critically acclaimed southern author whose short fiction has appeared in Per Contra: The International Journal of the Arts, Literature and IdeasStory Quarterly and Nature. Baen Books released his latest novel, Tyger Burning, in July 2019. His earlier debut military science fiction trilogy (GermlineExogene and Chimera) was released in 2012 and is available worldwide. In addition to being an author, T. C. is a PhD scientist, a Fulbright Fellow, and a Howard Hughes Biomedical Research Scholar.

His story, “Zip Ghost”, appears in the Weird World War III anthology.


Tell me about yourself. Where are you from? What’s your background?


Originally I’m from Leesburg, Virginia, and I’m a scientist who would rather work full time as a writer. All I want is an unlimited amount of money, absolute power over my own destination, and complete and total creative freedom; that should be easy to obtain, shouldn’t it? In all seriousness, I think that the most fortunate people in the world are those that have the luck or the means to do exactly what they love for a career.


What kinds of stories do you write? Why?


I write stories that have literary merit – that at least try to push the boundary of language just a tiny bit. I do it to show that I can. I see a lot of Tor and Orbit authors claiming the mantle of writing “literary SF” but they don’t; they think that by having the most gay characters in a book, or by having alien races that have no gender is edgy or weird – and therefore literary. But it isn’t. Literary is about bending language almost to the point where it breaks but doesn’t; it works.


What author has had the greatest influence on your writing? Why?


Two authors: Michael Herr and Guy Sajer/Guy Mouminoux. Michael Herr’s dispatches was the first book to electrify me because of the way it used language to describe war. Herr was an embed in multiple units during the Vietnam War and he brought almost a sense of beatnik descriptive powers that made the war leap from pages of his book, Dispatches. I like Guy Sajer for kind of the same reason, but less so for language. Sajer recounts his experience of trying to survive in one of the most horrific situations one could find himself in: fighting for the Germans on the Eastern Front of WWII. Sajer takes a matter of fact approach that’s like a constant string of gut punches.


Tell me about a time you almost died.


I almost died of thirst in Death Valley; there’s a reason they call it that, in case you didn’t know. I was an undergraduate geologist doing field work and we decided to take a look at the “Race Track” – a dried lake bed where the boulders move on their own and leave tracks. It’s 30 miles off road, in the middle of nowhere. We were in rental sedans and decided to take an off road trail that went over the nearest mountain range, which was fine until we got stuck and realized that the road had washed out and that we couldn’t get back the way we came; on one side was a cliff, on the other was a mountain and one of the professors started crying because they both were convinced we were dead. It was a hundred and fifteen degrees and there was no shade anywhere. As the youngest one in the party, I grabbed the shovel and rebuilt the washed out sections of the road so we eventually got to civilization, which only took us fifteen hours. I was majorly dehydrated.


If you could live in any time period, when would it be? Why?


The 1990s. If I had my way it would be the 1990s all the time. The music was amazing, cell phones weren’t a big thing so you had to interact with people face to face instead of texting, and I was in my 20s. Now that I’m over 50 everything hurts and the world is on fire. 


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


Order Weird World War III Now


2020-10-06T00:00:00

  days

  hours  minutes  seconds

until

Weird World War III Release Date

Martin L. Shoemaker

Martin L. Shoemaker is a programmer who writes on the side… or maybe it’s the other way around. Programming pays the bills, but a second-place story in the Jim Baen Memorial Writing Contest earned him lunch with Buzz Aldrin. Programming never did that! His work has appeared in Analog Science Fiction & FactGalaxy’s EdgeDigital Science FictionForever MagazineWriters of the Future, and numerous anthologies including Year’s Best Military and Adventure SF 4Man-Kzin Wars XVThe Jim Baen Memorial Award: The First Decade, and Avatar Dreams from Wordfire Press. His Clarkesworld story “Today I Am Paul” appeared in four different year’s-best anthologies and eight international editions. His follow-on novel, Today I Am Carey, was published by Baen Books in March 2019. His novel The Last Dance was published by 47North in November 2019.

His story, “The Ouroboros Arrangement”, appears in the Weird World War III anthology.


Tell me about yourself. Where are you from? What’s your background?


I’m a software developer from Michigan. I’m also a lifelong writer, starting my professional fiction career in 2010.


What kinds of stories do you write? Why?


I dabble across genres: mostly science fiction, but occasional fantasy or mystery. I also have a habit of mixing mystery in my science fiction. I prefer near-future, near-space hard science fiction, but I go where the story takes me. I tend to write middle-length works, novelettes and novellas; but I write a lot of shorter work as well, and I’ve written two novels. A third should be released at the same time as Weird World War III.

Why? is a more difficult question. A lot of my writing process is subconscious. Tomorrow I might wake up with the urge to write a historical adventure story. But what would probably happen is that I would realize how much research that would involve, since I’m not much of a historian, and I would set it aside. I don’t like to work that hard! With science fiction I need less research—in part because I can make up many details, and in part because this is where I live as a reader. It’s familiar territory for me. I’m a child of the Apollo era, of Star Trek and 2001, of Heinlein and Asimov and McDevitt. So as the old cliché goes: Write what you know.


Which of your short stories is your favorite? Why?


“Today I Am Paul”, the basis of my first novel, Today I Am Carey (Baen books, 2019). First it’s my most successful story. It was nominated for a Nebula, it won the Washington Science Fiction Association Award, and it was in four year’s best collections. But more important has been the reader response. Readers tell me that they saw themselves in this story of an Alzheimer’s patient, her family, and her android caretaker. They tell me that they feel better because someone understands what they’ve been through with their own loved ones. That’s a high compliment for an author.


What authors have had the greatest influence on your writing? Why?


How much time do you have? A could list dozens, but I’ll restrict it to two.

I was an early subscriber to Asimov’s Science Fiction Magazine, so I was there when Barry B. Longyear sold his first story. And his second, and his third, and… And not only was he a great writer (“Enemy Mine” is one of my three favorite short works ever), but he was the first emerging writer I knew of. Prior to Longyear, all the writers I read seemed to be established by the time I found them. Like they had always been there. But I watched from the sidelines as Longyear became a professional writer, and so I knew it could be done! It took another four decades for me to follow; but I would never have known how it worked without his example.

But during that forty years, I built a successful career as a software developer; and as a result, much of my reading time was devoted to the science and craft of software. I didn’t make as much time for leisure reading, for science fiction. But a random trip to a bookstore led me to Jack McDevitt’s A Talent for War, and Jack reignited my science fiction flame. That book is one of my favorites, and I’ve gone on to read and reread everything Jack has written. My first Finalist in Writers of the Future, the story that persuaded me to keep writing, was inspired by Jack McDevitt’s Echo. And I was honored when Jack asked me to write the foreword to his collection, A Voice in the Night; and then honored again when he wrote a very kind blurb for my first novel, Today I Am Carey.

And because of my involvement in the writing community, I’ve gotten to meet both Barry and Jack. Some rewards can’t be measured in dollars and cents.


Besides yourself, which other contemporary authors would you recommend?


Here are recent books I’ve enjoyed:

  • The Art of Madness by A.j. Mayall. He has a talent for mixing and matching tropes from multiple genres and turning them into something fresh and uniquely his. I first saw this in an anthology story in Cursed Collectibles, and I immediately went out and bought this book. I didn’t regret it.
  • Spine of the Dragon by Kevin J. Anderson. I am sorry to say that I’m mostly burned out on epic fantasy. I’m sure there’s a lot of it that’s very good, but it just doesn’t engage me. This book did.
  • A Star-Wheeled Sky by Brad Torgersen. Brad wrote a very exciting space opera here, with a nice twist on both science and empire. I’m looking forward to the sequel.Simon Says by Bryan Thomas Schmidt. This is like a classic 70s/80s buddy cop film, only set in the future with one of the buddies being an android. It’s the first in a series, and I’m enjoying all of them.
  • Split Feather by Deborah A. Wolfe. This book was a delight from start to finish, with a vivid protagonist who discovers her roots in the native communities of Alaska—and in a unique folklore and magic system that Wolfe makes very real.
  • Level Five by William Ledbetter. This was my absolute favorite book of 2018, a sweeping tale of artificial intelligence, space exploration, and a conspiracy to bring about the end of the world.

Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


Order Weird World War III Now


2020-10-06T00:00:00

  days

  hours  minutes  seconds

until

Weird World War III Release Date

Brian Trent

Brian Trent’s work regularly appears in AnalogFantasy & Science FictionThe Year’s Best Military and Adventure SFOrson Scott Card’s InterGalactic Medicine Show, Terraform, Daily Science Fiction, Apex, Pseudopod, Escape Pod, Galaxy’s EdgeNature, and numerous year’s-best anthologies. The author of the recently published sci-fi novel Ten Thousand Thunders and the dark fantasy series Rahotep, Trent is a winner of the 2019 Year’s Best Military and Adventure SF Readers’ Choice Award from Baen Books and Writers of the Future. He lives in New England. His website is http://www.briantrent.com.

His story, “Shadow Rook Red”, appears in the Weird World War III anthology.


Tell me about yourself. Where are you from? What’s your background?


I’m a speculative fiction writer from New England, and my work appears regularly in Analog, Fantasy & Science Fiction, The Year’s Best Military and Adventure SF (my story “Crash-Site” won the 2019 Readers Choice Award), Nature, Daily Science Fiction, and more. I grew up with a deep love for sci-fi, fantasy and horror, gleefully immersing myself in the classics and writing my own stories from a very young age. I’m also an obsessive reader of nonfiction. My brand of sci-fi tends to combine technology, history, and society… how they interact, and how they might interact. I consider short stories as laboratories to explore a host of subjects from a future perspective: addiction, war, evolution, threat, sacrifice… all the ingredients that go into the human drama.


If you could live in any time period, when would it be? Why?


It would likely be Alexandria, Egypt during the early Ptolemaic Dynasties. I’m enamored of Hellenism and the scientific and artistic inquiry associated with it. I’d hang out in the scented halls of the Great Library, enjoying access to that repository of knowledge and speculation; in those days, ships visiting port would be searched for books and those books would be copied, so the Library would always be expanding its contents (beyond the new works being written by local scholars). There was also active research going on, and lectures to attend, and warm weather, and a diverse city representing a crossroads of civilization. Yeah, count me in.


If you could live anywhere in the world, where would it be?


Two places tie for this: Italy and Japan. I’ve been to both and find them equally enchanting. Italy is an exquisite array of contrasting regions: Rome, Venice, Florence, Tuscany, Assisi and other locales have the qualities of independent city-states, complete with rich layers of history. The food and wine are reasons enough to go, along with their general celebration of appreciating the moment. Japan also has an extensive history, fascinating culture, and a rather unique duality that I like: Akihabara and Tokyo and Shinjuku seem to exist some 20 years in the future, while Nikko and Kyoto and Hakone preserve an older and rural quality: mist-wreathed village, ancient shrines, and simple elegance. I enjoy that contrast… cyberpunk with a healthy mix of shinrin-yoku. 


What kinds of stories do you write? Why?


My writing preference is sci-fi over fantasy—I like the rational structures of the genre, the extrapolation from current state and fact. My story in Weird World War III is a good example of this preference: postulating how the Cold War of the ‘80s heats up when a new technology is introduced, and how it impacts geopolitical, cultural, strategic and tactical realties. I’m also a fan of worldbuilding, and the research and imaginative exercises that go along with that. A lot (but not nearly all) of my stories take place in the same far-future universe, too—it’s nice to have a sandbox that can yield different tales. Sometimes an oblique reference or seemingly throwaway line will generate its own spin-off. I enjoy the opportunities the genre affords me.


Which of your short stories is your favorite? Why?


I have to list two for different reasons. “The Memorybox Vultures” in F&SF (September/October 2018) is set in the near-future, when people continue to post on social media after their deaths… becoming post-mortem “quasints” based on their online posts made while alive. I like it because it seems inevitable, considering today’s ability of tagging people and scheduling future posts. Our infomorphic identities are already out there, after all.

My other favorite is “An Incident on Ishtar” in Analog (March/April 2018). It’s set on a Venusian aerostat colony in the far future, and on one hand is about a dangerous conspiracy… but fundamentally it’s about how far someone is willing to go for what’s important to them.


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


Order Weird World War III Now


2020-10-06T00:00:00

  days

  hours  minutes  seconds

until

Weird World War III Release Date

Xander and Marina Lostetter

Marina J. Lostetter lives with the subsequent geek, as well as two capricious house cats. She enjoys globe-trotting, board games, and all things art related. Marina’s numerous original short stories have appeared in venues such as LightspeedOrson Scott Card’s InterGalactic Medicine Show, and Uncanny Magazine, while her sci-fi novels, including NOUMENON and NOUMENON INFINITY, are available from Harper Voyager. She has also written tie-in materials for the Aliens and Star Citizen franchises.  Marina tweets as @MarinaLostetter and her website can be found at http://www.lostetter.net.

Dr. Xander Lostetter earned his doctorate in microelectronics-photonics engineering from the University of Arkansas in 2003. He subsequently took his research commercial, building a tech company that developed state-of-the-art power electronics solutions for military and defense programs, spacecraft, satellites, renewable energy, and electric vehicles. Dr. Lostetter has been awarded over two dozen patents, is the author of more than one hundred engineering publications, and has been the recipient of three international R&D 100 Awards for top technology breakthroughs. He currently lives in Arkansas with his wife, Marina, where the two love strategy games, arguing Kirk vs. Picard, and spending their time engaging in all things geeky.

Their story, “Tap, Tap, Tapping in the Deep”, appears in the Weird World War III anthology.


Tell me about yourself. Where are you from? What’s your background?


Xander: I’m from a tiny blue-green rock orbiting your average yellow dwarf star at a distance of approximately 8 1/2 light minutes. On that tiny rock, I live in Fayetteville Arkansas in the United States. I have a doctorate degree in microelectronics engineering, but can often be found secretly building Legos by moonlight.

Marina: I live with that weirdo. I write sci-fi and fantasy full time.


What authors have had the greatest influence on your writing? Why?


Xander: Terry Pratchett, because well, he’s pure genius. Philip K. Dick for his mind blowing philosophy. Stephen King is the ultimate in the study of character psychology. And Tim O’Brien has the uncanny ability to get to the core of very dark but real human experiences.

Marina: Tolkien made me fall in love with SFF, Tanith Lee and Madeleine L’Engle made me want to become a writer, and Dan Simmons made me fall in love with space-opera–the formatting of his novel, Hyperion, had a huge influence on my own space-opera series, Noumenon.


Besides yourself, which other contemporary authors would you recommend?


Xander: Stephen Baxter’s Manifold series and the Hyperion series by Dan Simmons are two of my all-time favorites, since I love well written hard science fiction. I like Max Brooks for his zombie work, especially World War Z. Katherine Applegate’s The One and Only Ivan and Siobhan Dowd’s / Patrick Ness’ A Monster Calls are both amazing works on the nature of humanity.

Marina: Nicky Drayden writes great genre-mashups, like The Prey of Gods; JY Yang writes brilliant fantasy, such as the Tensorate series; Megan O’Keefe performs incredibly skilled unreliable narrator work in Velocity Weapon; and Max Gladstone and Amal El-Mohtar have done fascinating epistolary work in This is How You Lose the Time War


What kinds of stories do you write? Why?


Xander: I am always fascinated with science fiction and fantasy, because it allows you to push the boundaries of “what if” beyond any limits of the imagination. To me, these are the ultimate playgrounds for creative exploration.

Marina: I tend to write stories about re-establishing understanding. That might mean a sci-fi story where the characters think an alien megastructure is meant to do one thing, but instead it does something completely unexpected. Or a fantasy story where magic seems to play by one set of rules, but the character’s conception of their world is all wrong. I try to tell stories with layers, where the over-arching conflict, personal conflict, and inner conflict are all intimately entangled.


What’s your favorite book? Why?


Xander: The Hobbit, because at the age of 10 it introduced me to the amazing world of fantasy literature. Star Trek, though not one book, is also a sentimental favorite. At that same early age of 10, it was the inspiration that filled me with the passion to pursue the path of becoming an engineer and loving all things “space”. When I was young, and the original TV show was in reruns, I gobbled up Star Trek books as fast as they could publish them.

Marina: Hyperion gets a hattrick here. I also love Vellum by Hal Duncan because of how masterfully complex it is; Vicious by V.E. Schwab is super-anti-hero melodrama at its finest; and Wolf Tower by Tanith Lee is my go-to comfort read.


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


Order Weird World War III Now


2020-10-06T00:00:00

  days

  hours  minutes  seconds

until

Weird World War III Release Date

Blog at WordPress.com.

Up ↑