Brian Trent

Brian Trent’s work regularly appears in AnalogFantasy & Science FictionThe Year’s Best Military and Adventure SFOrson Scott Card’s InterGalactic Medicine Show, Terraform, Daily Science Fiction, Apex, Pseudopod, Escape Pod, Galaxy’s EdgeNature, and numerous year’s-best anthologies. The author of the recently published sci-fi novel Ten Thousand Thunders and the dark fantasy series Rahotep, Trent is a winner of the 2019 Year’s Best Military and Adventure SF Readers’ Choice Award from Baen Books and Writers of the Future. He lives in New England. His website is http://www.briantrent.com.

His story, “Shadow Rook Red”, appears in the Weird World War III anthology.


Tell me about yourself. Where are you from? What’s your background?


I’m a speculative fiction writer from New England, and my work appears regularly in Analog, Fantasy & Science Fiction, The Year’s Best Military and Adventure SF (my story “Crash-Site” won the 2019 Readers Choice Award), Nature, Daily Science Fiction, and more. I grew up with a deep love for sci-fi, fantasy and horror, gleefully immersing myself in the classics and writing my own stories from a very young age. I’m also an obsessive reader of nonfiction. My brand of sci-fi tends to combine technology, history, and society… how they interact, and how they might interact. I consider short stories as laboratories to explore a host of subjects from a future perspective: addiction, war, evolution, threat, sacrifice… all the ingredients that go into the human drama.


If you could live in any time period, when would it be? Why?


It would likely be Alexandria, Egypt during the early Ptolemaic Dynasties. I’m enamored of Hellenism and the scientific and artistic inquiry associated with it. I’d hang out in the scented halls of the Great Library, enjoying access to that repository of knowledge and speculation; in those days, ships visiting port would be searched for books and those books would be copied, so the Library would always be expanding its contents (beyond the new works being written by local scholars). There was also active research going on, and lectures to attend, and warm weather, and a diverse city representing a crossroads of civilization. Yeah, count me in.


If you could live anywhere in the world, where would it be?


Two places tie for this: Italy and Japan. I’ve been to both and find them equally enchanting. Italy is an exquisite array of contrasting regions: Rome, Venice, Florence, Tuscany, Assisi and other locales have the qualities of independent city-states, complete with rich layers of history. The food and wine are reasons enough to go, along with their general celebration of appreciating the moment. Japan also has an extensive history, fascinating culture, and a rather unique duality that I like: Akihabara and Tokyo and Shinjuku seem to exist some 20 years in the future, while Nikko and Kyoto and Hakone preserve an older and rural quality: mist-wreathed village, ancient shrines, and simple elegance. I enjoy that contrast… cyberpunk with a healthy mix of shinrin-yoku. 


What kinds of stories do you write? Why?


My writing preference is sci-fi over fantasy—I like the rational structures of the genre, the extrapolation from current state and fact. My story in Weird World War III is a good example of this preference: postulating how the Cold War of the ‘80s heats up when a new technology is introduced, and how it impacts geopolitical, cultural, strategic and tactical realties. I’m also a fan of worldbuilding, and the research and imaginative exercises that go along with that. A lot (but not nearly all) of my stories take place in the same far-future universe, too—it’s nice to have a sandbox that can yield different tales. Sometimes an oblique reference or seemingly throwaway line will generate its own spin-off. I enjoy the opportunities the genre affords me.


Which of your short stories is your favorite? Why?


I have to list two for different reasons. “The Memorybox Vultures” in F&SF (September/October 2018) is set in the near-future, when people continue to post on social media after their deaths… becoming post-mortem “quasints” based on their online posts made while alive. I like it because it seems inevitable, considering today’s ability of tagging people and scheduling future posts. Our infomorphic identities are already out there, after all.

My other favorite is “An Incident on Ishtar” in Analog (March/April 2018). It’s set on a Venusian aerostat colony in the far future, and on one hand is about a dangerous conspiracy… but fundamentally it’s about how far someone is willing to go for what’s important to them.


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


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Ville Meriläinen

Ville Meriläinen is a Finnish university student, author of speculative fiction, and Death Metal musician. His short fiction has appeared in various venues online and in print, including Orson Scott Card’s InterGalactic Medicine ShowPseudopod, and Cast of Wonders. His musical fantasy novel, Ghost Notes, is available from Digital Fiction Publishing.

His story, “The Scholomance”, appears in the Weird World War III anthology.


Tell me about yourself. Where are you from? What’s your background?


I’m from a small-ish forest town on the west coast of Finland, from where I moved to study across the country to a small-ish forest city near the Russian border. While writing this, I’m visiting my parents, and can see the sea from the guest room window. Wood and water are prominent elements in my work and it’s no marvel why.


What kinds of stories do you write? Why?


The latest bio line I’ve given editors is: “Ville Meriläinen writes stories like the Finnish winter: long, dark, and someone probably gets hurt.” You try living without the sun for half a year and see how cheerful it leaves you.


Which of your short stories is your favorite? Why?


It’s always the latest one. I’m severely self-critical and whatever is newest usually feels passably competent. God forbid someone tells me they’ve read one of my older pieces, because the reaction is invariably thinking “Oh no not that one” while trying to convincingly smile and nod like I appreciate it.


Besides yourself, which other contemporary authors would you recommend?


I don’t think I’ve ever recommended authors over books, but Victor LaValle’s The Changeling, Justin Robinson’s The Dollmaker, and G. Willow Wilson’s The Bird King have hit me pretty hard lately, so I suppose there’s a list. I don’t know anything about the authors or their other works, to be honest. When you grow up on Black Metal you learn to separate art and the artist pretty fast.


What’s the craziest thing you’ve ever done?


All I want in life is to write silly stories in my bedroom and never talk to people, and yet somehow I keep winding up on stages. Dive bar stages, lecture hall stages, and then there was that one time in a black tie Hollywood gala beside a mechanical dragon and a number of genre grandmasters.


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


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Brad R. Torgersen

Brad R. Torgersen is a multi-award-winning science fiction and fantasy writer whose book A Star-Wheeled Sky won the 2019 Dragon Award for Best Science Fiction Novel at the 33rd annual DragonCon fan convention in Atlanta, Georgia. A prolific short fiction author, Torgersen has published stories in numerous anthologies and magazines, including several Best of Year editions. Brad is named in Analog magazine’s who’s who of top Analog authors, alongside venerable writers like Larry Niven, Lois McMaster Bujold, Orson Scott Card, and Robert A. Heinlein. Married for over twenty-five years, Brad is also a United States Army Reserve Chief Warrant Officer—with multiple deployments to his credit—and currently lives with his wife and daughter in the Mountain West, where they keep a small menagerie of dogs and cats.

His story, “All Quiet on the Phantom Front”, appears in the Weird World War III anthology.


What kinds of stories do you write? Why?


I tend to focus on stories which emphasize the everyman, who through determination and no small amount of courage and principle is able to forge a victory—despite the most overwhelming or dire predicaments.  Too much fiction these days—be it books, stories, screenplays, you name it—seems to glory in the “complicated” character.  Who is a morally ambiguous individual at best.  I rather favor the idea that ordinary people are capable of extraordinary things (including extraordinary displays of honor, decency, integrity, and morality) when push comes to shove.  I believe this is something we see in the world around us, and it will also be true in the future.  Regardless of how advanced our technology may be, or when we eventually voyage to other planets and other stars.


Which of your short stories is your favorite? Why?


I’m going to echo the spoken word performance group Celestial Navigations and state that the best one, is the next one.  I’ve enjoyed all of the stories I’ve published, and am especially proud of those which have won readers’ choice awards in magazines like Analog.  But each new story is a new adventure in discovery.  Because I am usually going to new places with new characters and exploring some facet of the human equation I’ve not necessarily explored before in that specific way, set against a canvas I’ve not necessarily explored before either.  So, I take great joy in this activity, and am always pleased with how the characters and their stories evolve organically beneath my fingertips as I type.


What authors have had the greatest influence on your writing? Why?


Of all the living authors who are still with us, award-winner and science fiction Grand Master Larry Niven is the one who has had the greatest single influence.  It was reading Larry’s short fiction (when I was still a teenager, thirty years ago) that inspired me to try to write my own professional stories.  Up to that point I’d simply dabbled in fan fiction for franchises like Star Trek or Mad Max but it was while reading Larry’s short fiction that I said to myself, “I want to try to write this well, and publish myself!”  It took me a lot of work and a lot of practice—including a lot of heartache and failure—before I finally broke in with my Writers of the Future winning story, ten years ago.


What is your favorite speculative fiction genre? Why?


I tend to favor the “hard” variety of science fiction, simply because I’ve always been fascinated by stories which try to imagine how humanity might actually voyage to the planets and the stars.  Versus the numerous examples of Earth-bound dystopias which have been ironically popular in our era of fantastic opportunity, wealth, and material comfort.  When I was child, movies and television series which depicted humanity journeying to other worlds, and conquering the literal final frontier of space, most captured my imagination.  Which is not to say I don’t enjoy a very good fantasy story, such as Tolkien’s Lord of the Rings saga.  Because I do.  But my interest inevitably returns to stories that are well-grounded in known physics, chemistry, biology, etc., while projecting the human adventure into environments which—while potentially quite hostile—offer their own wonder and mystery, as well as challenges.  To include potentially magical realms.  I mentioned Larry Niven earlier.  On those occasions when I approach a fantasy project of my own I tend to go at it “hard” in that the mystical or otherwise magical component is rigorously bounded, with rules and structure such that it’s an additional natural phenomenon, as much like gravity or electricity as anything else.


If you could live in any time period, when would it be? Why?


I don’t have a particularly favorite period, mostly because each period has its plusses and its minuses.  I do consider myself to be a student of history, however, and am very concerned with how little many people in 21st century America seem to be paying attention to the lessons of history.  Especially when it comes to utopian activism.  Millions of Americans seem bound and determined to scuttle everything about our world which makes it clean, comfortable, and abundant, for the sake of some as-yet-to-be-realized fantastic vision of a “fair” society.  Which—if people understood their history at all—is where all the greatest and most terrible human disasters of the 20th century began.  We make a fatal flaw when we sacrifice what’s good on the altar of trying to achieve perfection.  Otherwise?  History is replete with amazing people and amazing events, some of the astoundingly inspired, others dreadfully awful.  And all of it adds up to who we are now, in our time.  Both good and bad things.  Like I said, I wish more Americans especially in the 21st century paid attention to the lessons we should have learned from what happened in the 20th century especially.


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


Order Weird World War III Now


2020-10-06T00:00:00

  days

  hours  minutes  seconds

until

Weird World War III Release Date

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