Brad R. Torgersen

Brad R. Torgersen is a multi-award-winning science fiction and fantasy writer whose book A Star-Wheeled Sky won the 2019 Dragon Award for Best Science Fiction Novel at the 33rd annual DragonCon fan convention in Atlanta, Georgia. A prolific short fiction author, Torgersen has published stories in numerous anthologies and magazines, including several Best of Year editions. Brad is named in Analog magazineโ€™s whoโ€™s who of top Analog authors, alongside venerable writers like Larry Niven, Lois McMaster Bujold, Orson Scott Card, and Robert A. Heinlein. Married for over twenty-five years, Brad is also a United States Army Reserve Chief Warrant Officerโ€”with multiple deployments to his creditโ€”and currently lives with his wife and daughter in the Mountain West, where they keep a small menagerie of dogs and cats.

His story, “All Quiet on the Phantom Front”, appears in the Weird World War III anthology.


What kinds of stories do you write? Why?


I tend to focus on stories which emphasize the everyman, who through determination and no small amount of courage and principle is able to forge a victoryโ€”despite the most overwhelming or dire predicaments.  Too much fiction these daysโ€”be it books, stories, screenplays, you name itโ€”seems to glory in the โ€œcomplicatedโ€ character.  Who is a morally ambiguous individual at best.  I rather favor the idea that ordinary people are capable of extraordinary things (including extraordinary displays of honor, decency, integrity, and morality) when push comes to shove.  I believe this is something we see in the world around us, and it will also be true in the future.  Regardless of how advanced our technology may be, or when we eventually voyage to other planets and other stars.


Which of your short stories is your favorite? Why?


Iโ€™m going to echo the spoken word performance group Celestial Navigations and state that the best one, is the next one.  Iโ€™ve enjoyed all of the stories Iโ€™ve published, and am especially proud of those which have won readersโ€™ choice awards in magazines like Analog.  But each new story is a new adventure in discovery.  Because I am usually going to new places with new characters and exploring some facet of the human equation Iโ€™ve not necessarily explored before in that specific way, set against a canvas Iโ€™ve not necessarily explored before either.  So, I take great joy in this activity, and am always pleased with how the characters and their stories evolve organically beneath my fingertips as I type.


What authors have had the greatest influence on your writing? Why?


Of all the living authors who are still with us, award-winner and science fiction Grand Master Larry Niven is the one who has had the greatest single influence.  It was reading Larryโ€™s short fiction (when I was still a teenager, thirty years ago) that inspired me to try to write my own professional stories.  Up to that point Iโ€™d simply dabbled in fan fiction for franchises like Star Trek or Mad Max but it was while reading Larryโ€™s short fiction that I said to myself, โ€œI want to try to write this well, and publish myself!โ€  It took me a lot of work and a lot of practiceโ€”including a lot of heartache and failureโ€”before I finally broke in with my Writers of the Future winning story, ten years ago.


What is your favorite speculative fiction genre? Why?


I tend to favor the โ€œhardโ€ variety of science fiction, simply because Iโ€™ve always been fascinated by stories which try to imagine how humanity might actually voyage to the planets and the stars.  Versus the numerous examples of Earth-bound dystopias which have been ironically popular in our era of fantastic opportunity, wealth, and material comfort.  When I was child, movies and television series which depicted humanity journeying to other worlds, and conquering the literal final frontier of space, most captured my imagination.  Which is not to say I donโ€™t enjoy a very good fantasy story, such as Tolkienโ€™s Lord of the Rings saga.  Because I do.  But my interest inevitably returns to stories that are well-grounded in known physics, chemistry, biology, etc., while projecting the human adventure into environments whichโ€”while potentially quite hostileโ€”offer their own wonder and mystery, as well as challenges.  To include potentially magical realms.  I mentioned Larry Niven earlier.  On those occasions when I approach a fantasy project of my own I tend to go at it โ€œhardโ€ in that the mystical or otherwise magical component is rigorously bounded, with rules and structure such that itโ€™s an additional natural phenomenon, as much like gravity or electricity as anything else.


If you could live in any time period, when would it be? Why?


I donโ€™t have a particularly favorite period, mostly because each period has its plusses and its minuses.  I do consider myself to be a student of history, however, and am very concerned with how little many people in 21st century America seem to be paying attention to the lessons of history.  Especially when it comes to utopian activism.  Millions of Americans seem bound and determined to scuttle everything about our world which makes it clean, comfortable, and abundant, for the sake of some as-yet-to-be-realized fantastic vision of a โ€œfairโ€ society.  Whichโ€”if people understood their history at allโ€”is where all the greatest and most terrible human disasters of the 20th century began.  We make a fatal flaw when we sacrifice whatโ€™s good on the altar of trying to achieve perfection.  Otherwise?  History is replete with amazing people and amazing events, some of the astoundingly inspired, others dreadfully awful.  And all of it adds up to who we are now, in our time.  Both good and bad things.  Like I said, I wish more Americans especially in the 21st century paid attention to the lessons we should have learned from what happened in the 20th century especially.


Story’s Soundtrack

Each of the stories in this volume evoked certain themes and emotions that can sometimes be approximated with music. The below video is the editor’s best interpretation of the feelings and themes that this author’s story evoked. Please note that this is only the editor’s interpretation. The author did not know this portion of the blog post existed until the editor published it.


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Recent Weird World War III Events

Over the last several weeks, there’s been a few events in which Weird World War III was promoted and/or mentioned. You can check them out below.

Baen Virtual Road Show at Dragon Con 2020

I introduce the anthology at the 16:34-minute mark.

Writers Drinking Coffee Podcast

In early August, I was a guest of the Writers Drinking Coffee Podcast. You can listen to the episode here.

Lovecraft eZine: Interviews: Laird Barron, John Langan

Weird fiction master, John Langan, talks about his story, “Second Front”, in Weird World War III at the 1:56:44-minute mark.


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California Apocalypse

This past week’s West Coast wildfires made for an eerie dreamscape of images in the San Francisco Bay Area. Below are some pictures I took of spots in Paso Nogal Park in Pleasant Hill, an East Bay community.

Man, I couldn’t have picked a better year to release an anthology called Weird World War III.


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2019 Writing Statistics and Revenue

Many authors in the science fiction, fantasy, and horror genres track their writing progress and provide a summary of itย at the end of each year. For instance,ย David Tallerman,ย John Scalzi,ย Nick Mamatas,ย Joe Abercrombie, andย Rahul Kanakiaย provide fairly comprehensive years in review that cover what theyย published in 2018/2019. Inย 2015,ย 2016, 2017, and 2018, I published postsย tracking my progress up to those points in my writing career. Similarly, this post tracks the entirety of my writing career up to and including 2019.


Key 2019 Accomplishments

From a writing perspective, 2019 was an average year and the ninth year I’ve made a concerted effort to generate income from my writing. During 2019, I accomplished the following:


2019 Accomplishments vs. Objectives

While I certainly made some progress in 2019, I came up short on many of my goals. In an effort to keep myself ruthlessly honest, I’ve coded goals I’ve accomplished in blue, goals I’ve failed to meet in 2019 because of factors beyond my control but are still on track in gray, and goals that I’ve failed to accomplish in red. I’ve also included some commentary to note how close (or how far) I was from realizing each of these goals.

  • Write 10 new short stories: I wrote 3 short stories–7 stories short of the mark.
  • Make at least 5 professional rate sales: I only made 1 professional sale.
  • Sell a story to one of the big three print publications: AnalogAsimov’s, and/or Fantasy and Science Fiction.Still no progress on this front, but I will keep up the good fight until I made a sale at one of these publications.
  • Appear in a “Best of” anthology: No dice this year.
  • Complete my horror novel: While I completed a second draft of an occult detective novel this year, I don’t think it is quite ready for prime time yet.
  • Sell my novel to a major publisher: I’ve made zero progress on this in 2019.
  • Do at least one panel and/or podcast: I moderated a panel on “Writing Beyond King and Colony” at Irish Worldcon with Joe Abercrombie, Brenda Clough, and Natasha Bardon.
  • Do an author signing at Between Books in my hometown: Given everything going on this year, I hadn’t had a chance to go back east this year with enough time to organize a signing. I hope that Baen’s release of the Weird World War III will provide me with that opportunity.
  • Publish my second short story collection: Of the twenty stories in the collection, I still have yet to sell the last story. I intend to publish this collection after I finish selling the final story.

As you can see, I’ve accomplished only 1 of my goals, am still on track to accomplish another one of them, and have failed to hit the remaining 7. Yikes! While I can do better, the very discipline of setting these goals kept me focused throughout the year. As such, I will be setting my goals for 2020 at the end of this post, but before I do that, I’d like to cover my annual writing statistics starting with my 2019 writing revenue.


Writing Revenue

ย Source: ยฉ2019 Sean Patrick Hazlett

I still continue to make an embarrassingly little amount of money from writing. In fact, my business school classmates will probably look at me crosswise when they see the numbers and wonder why I’m wasting my time.

But you have to start somewhere. And in writing, the barriers to entry are very low. Let’s face it: all you need is a keyboard, a rudimentary understanding of English, and an imagination, and you can submit to most magazines. To stand out among thousands of submissions you have to write something that blows away the competition. Over time, as one establishes oneself, it seems to get a little easier. It just takes a long time getting there.

All that being said, 2019 was actually the highest revenue year I’ve ever had. The majority of that revenue can be attributed to a portion of the advance from Baen for my upcoming anthology, Weird World War III. However, because of the rates I paid the authors, the anthology must do much better than earn out the advance before I see a dime of earnings.

While the revenue numbers above are still low, my revenue growth rate has roughly doubled each year from 2013 to 2015 and tripled in 2016โ€”a marked improvement. Then revenue continued to decline–down 8% in 2017 and down 56% in 2018. In 2019, revenue shot up by 509%, primarily due to a partial advance on a short story anthology. Excluding this advance, my revenue would have been up 23% in 2019. And I’m already starting 2020 with a robust backlog that publishers still owe me for stories and anthology work equivalent to 81% of my 2019 sales.

I also find consolation in the fact that I’m literally making money by conjuring stuff out of thin air.

Source: ยฉ2019 Sean Patrick Hazlett

My revenue stream was a bit more diversified in 2019 than it was in 2018 with only 20% of my revenue deriving from short stories vs. 99% in 2017. As always, I’m hoping that a future novel sale will help diversify these revenue sources.


Other Writing Statistics

Since December 2011, I’ve written a total of 61 short stories. By the end of 2019, I sold 42 or 69% of them, and 39 have already been published. While a 69% hit rate seems pretty impressive on the surface, I’ve sent out 2,275 submissions to publishers and have accumulated 2,055 rejections to get there.


Production

My production slowed to the lowest it’s been since 2011 with 3 stories produced in 2019 versus 7 in 2018, falling far short of my goal of writing 10 new short stories in 2019. My production fell precipitously in 2019 for two reasons. First, I continue to work the fastest company to reach decacorn status in history, and second, I produced an anthology for Baencalled Weird World War III, working with amazing authors like David DrakeJohn LanganNick MamatasMike ResnickBrad TorgersenMartin ShoemakerT.C. McCarthySarah HoytAlex ShvartsmanEric James StoneDeborah WolfKevin Andrew MurphyErica SatifkaBryan Thomas SchmidtPeter WacksC.L. KagmiVille MerilรคinenStephen Lawson, Dr. Xander Lostetter, and Marina Lostetter.

Source: ยฉ2019 Sean Patrick Hazlett

Sales

As I noted above, I sold 5 short stories this year, which is down 44% from my 2018 sales. However, to put that number into perspective, prior to 2016, I’d sold a total of 16 stories in my lifetime. From 2016 to 2019, I’d made another 41 sales, including 26 originals, 1 corporate sale, and 8 reprints. More importantly, 1 of those 2019 sales was at a professional rate. While that’s not very impressive, it’s important to note that I only wrote 3 new stories in 2019, 33% of which sold at a professional rate. Also, prior to 2016, I had only 1 professional sale; after 2015, I had 8.

Source: ยฉ2019 Sean Patrick Hazlett

Submissions

You can’t win if you don’t play, and the more you play, the more you win. For a relatively unknown author, the writing game is one that rewards persistence. There’s also a huge element of luck. Sometimes you have to hit the right editor at the right time with the right story. You can’t do that if you aren’t constantly taking shots on goal. As such, from 2014 to 2016, I’d consistently submitted at least one story a day to various publications. Since my acceptance rate doubled from 2015 to 2016, I sent fewer submissions in 2017 and 2018, primarily so I could spend more time writing than submitting. I continued to follow this strategy in 2019, but I had far fewer submissions, mostly because I had written only 3 new short stories.

Source: ยฉ2019 Sean Patrick Hazlett

Rejections

The writing business isn’t for the faint of heart, and rejection seems to be the only constant. The flip side of making a huge volume of submissions is that you receive a massive number of rejections. While I’ve sold over two-thirds of the stories I’ve written thus far, I’ve collected over 2,000 rejections. The good news is I’ve received so many of them I’ve built up enough scar tissue that they hardly bother me anymore. In fact, they only encourage me and spur me on.

Source: ยฉ2019 Sean Patrick Hazlett

The Funnel of Persistence

Putting it all together, I’ve made decent progress since my first short story submission in December 2011. While I’m nowhere near quitting my day job, I’ve made enough progress that I can see light at the end of the tunnel. Below is how the numbers have shaken out thus far for me. As you can see, I’ve sent nearly 2,300 submissions to various publications to yield a total of 51 sales for 42 original short stories out of a 61-story inventory. But for most, writing isn’t a blitzkrieg, it’s a war of attrition. And it’s a war I’m determined to win.

Source: ยฉ2019 Sean Patrick Hazlett

2020 Objectives

Looking ahead, there are a number of things I hope to accomplish in 2020, including:

  • Write 10 new short stories.
  • Make at least 5 professional rate sales.
  • Sell a story to one of the big three print publications: AnalogAsimov’s, and/or Fantasy and Science Fiction.
  • Appear in a “Best of” anthology.
  • Complete my horror novel.
  • Sell my novel to a major publisher.
  • Do at least one panel and/or podcast.
  • Do an author signing at Between Books in my hometown.
  • Publish my second short story collection.
  • Selling and producing a sequel anthology for Baen.

There’s a lot on my plate for 2020, but I’m confident that if I continue plugging away, I’ll continue to make progress.

Here’s to a very productive 2020!

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